The whole Illuminati thing that has been surrounding the late Aaliyah's death may be debunked as a rumor than the truth. Needless mention, the consistent "connect the dots" linking her untimely demise as being Beyoncé's rise to stardom because she resisted being it's "queen" whereas Beyoncé was all for it and that it entails being officially debunked.
Since a movie is said to be in the works with Solange at the helm if not possibly Cassie over a closer match up for the lead role, Keisha Chante, there will be a lot not mentioned that will make the film bland or just a glean over the singer's professional life as not a glimpse in her personal may not make to light -- and the fact that the whole Illuminati thread aforementioned will be one of them.
The reason being, it has now come to light that Aaliyah's record label, Black Ground, may be the culprit behind her passing. It has now being mentioned that the label, owned by her uncle, was upset with her for wanting to leave and go with another one.
Considering that she was the only real income that the label saw, her uncle purportedly became incensed with her wanting to leave as she was the only one carrying it as there was no other formidable artist on the label at the time. Therefore, if she left, the label would tanked because it would be forced into bankruptcy and forced to shut its doors. Rather face such embarrassment, the label owner, according to the proclaimed influence in Hip Hop Soul and a once suicidal producer, set in motion to have the singer murdered despite the guise of it appearing as an accidental plane crash in order to save the label.
Now that the movie about the singer's life is set to be in motion, they may more than likely be all for it despite her parent, brother and those in her circle's, wishes for the sake of capitalizing off her for money. According to some, it's considered an insult that the vault of unreleased music she recording prior to passing for future albums have been sold to the highest bidders to have her positioned as a feature on the tracks versus the actual recorder of them.
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